The Financial Times has a (surprisingly) accurate chronology about how the “slow-ticketing” process Ticketmaster employed for Taylor Swift’s tour was met with initial stories about the outing being a “flop” to being a brilliant maneuver.
IMP is celebrating the 1-year anniversary of its Washington, D.C. venue The Anthem and has put together a montage of its various marquees over the past 12 months.
Tituss Burgess (or, as the layman knows him, Titus Andromedon from Netflix’s “The Unbreakable Kimmy Schmidt”) is writing his second musical inspired by Whitney Houston, this time based on her movie “The Preacher’s Wife.”
